Course Name | Communication, Culture & Society II |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
MCS 112 | Spring | 3 | 2 | 4 | 6 |
Prerequisites | None | |||||
Course Language | English | |||||
Course Type | Required | |||||
Course Level | First Cycle | |||||
Mode of Delivery | face to face | |||||
Teaching Methods and Techniques of the Course | ||||||
Course Coordinator | ||||||
Course Lecturer(s) | - | |||||
Assistant(s) | - |
Course Objectives | Explore the structural and cultural context of media and communication practices, examine processes of news and entertainment making/reception across diverse media fields, encourage students to research and analyze media institutions and goods in local/global terms. |
Learning Outcomes | The students who succeeded in this course;
|
Course Description | The course draws on diverse aspects of the media of communication, probing into their social, cultural and political implications |
Related Sustainable Development Goals | |
| Core Courses | |
Major Area Courses | X | |
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Introduction to the course | |
2 | Culture, Ideology & Identity I | O’Shaughnessy (1999) Media and Society: An Introduction Melbourne: Oxford University Press (pp.31-52) |
3 | Media, Modernity & Orientalism | Aksoy, A. & Robins, K. (1997) Peripheral Vision: Cultural Industries and cultural identities in Turkey. Environment and Planning A: Economy and Space 29(11). |
4 | Nationalism and Media I | Barker, C. (1999). Television, Globalization and Cultural Identities. Philadelphia: Open University Press (Chapter 3) |
5 | Nationalism and Media II | Karanfil, G. (2006) Becoming Undone: Contesting Nationalisms in Contemporary Turkish Popular Cinema. National Identities , Vol. 8, No. 1 |
6 | Film Screening | |
7 | First Midterm | |
8 | Globalization and Media I | Barker, C. (1999). Television, Globalization and Cultural Identities. Philadelphia: Open University Press (Chapter 2) |
9 | Globalization and Media II | From internationalization to transnationalisation by J. Chalaby |
10 | Globalization, Media and Identity III | Karanfil, G. 2009. Pseudo-exiles and reluctant transnationals: disrupted nostalgia on Turkish satellite broadcasts. Media, culture & society, 31: 887 |
11 | Film Screening | |
12 | Digital Media Cultures I | Fuchs, C. Critical Introduction to Social Media (Chapter 2) |
13 | Digital Media Cultures II | Fuchs, C. Critical Introduction to Social Media (Chapter 3) |
14 | Second Midterm | |
15 | Review of the semester | |
16 | Final exam |
Course Notes/Textbooks | Handouts, lectures (PowerPoint presentations, seminars, structured questions and materials for class discussion, workshops, case studies, role play sessions |
Suggested Readings/Materials | Bibliography, print journals, open access journals |
Semester Activities | Number | Weigthing |
Participation | 1 | 10 |
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | 1 | 20 |
Presentation / Jury | 1 | 10 |
Project | ||
Seminar / Workshop | ||
Oral Exam | ||
Midterm | 2 | 60 |
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 6 | 100 |
Weighting of End-of-Semester Activities on the Final Grade | ||
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 3 | 48 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | 2 | |
Study Hours Out of Class | 14 | 3 | 42 |
Field Work | |||
Quizzes / Studio Critiques | |||
Portfolio | |||
Homework / Assignments | 1 | 14 | |
Presentation / Jury | 1 | 10 | |
Project | |||
Seminar / Workshop | |||
Oral Exam | |||
Midterms | 2 | 17 | |
Final Exams | |||
Total | 180 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to critically discuss and interpret the theories, concepts and ideas that form the basis of the discipline of new media and communication. | X | ||||
2 | To be able to critically interpret theoretical debates concerning the relations between the forms, agents, and factors that play a role in the field of new media and communication. | X | ||||
3 | To have the fundamental knowledge and ability to use the technical equipment and software programs required by the new media production processes. | |||||
4 | To be able to gather, scrutinize and scientifically investigate data in the processes of production and distribution. | X | ||||
5 | To be able to use the acquired theoretical knowledge in practice. | X | ||||
6 | To be able to take responsibility both individually and as a member of a group to develop solutions to problems encountered in the field of new media and communication. | X | ||||
7 | To be informed about national, regional, and global issues and problems; to be able to generate problem-solving methods depending on the quality of evidence and research, and to acquire the ability to report the conclusions of those methods to the public. | X | ||||
8 | To be able to critically discuss and draw on theories, concepts and ideas that form the basis of other disciplines complementing the field of new media and communication studies. | X | ||||
9 | To be able to develop and use knowledge and skills towards personal and social goals in a lifelong process. | X | ||||
10 | To be able to apply social, scientific and professional ethical values in the field of new media and communication. | X | ||||
11 | To be able to collect datain the areas of new media and communication and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). | X | ||||
12 | To be able to speak a second foreign language at a medium level of fluency efficiently. | |||||
13 | To be able to relate the knowledge accumulated throughout the human history to their field of expertise. |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest